This piece is an overlong but occasionally interesting appreciation of Taylor. Both Taylor and Trevor-Roper became media stars, opining on certain topics and they were used in electronic media in the same historical-color way as Doris Kearns Goodwin is used on the Imus show and similar god-awful venues.
In my sixteen years of annual summering in Scotland, they became familiar faces to me, very much corrupted by punditry. Taylor had a tendency to cut to the quick, which TV liked, and which showed him well against more reflective counterparts.
Taylor's quippery reminds our author of a very fine Evelyn Waugh observation:
We remember the false judgments of Voltaire and Gibbon and Lytton Strachey long after they have been corrected, because of their sharp, polished form and because of the sensual pleasure of dwelling on them.That covers a lot of ACW pop history as well.
"... even at his worst he warranted public attention ..."
That is the epitaph of a public intellectual, not of an historian.